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Breaking (2012) für verstärktes Ensemble, Sampler und live-Elektronik  
Auftragskomposition des Ensemble Mosaik
UA: 13. 12. 2012 Berghain/Berlin
Ensemble Mosaik, Enno Poppe
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AUNG 
(2010/2011) für inszenierte Sängerin/Performerin, Ensemble und live-Elektronik, Text: Helga Utz
Kompositionsauftrag von BIT 20 (Norwegen) und Integra/ Birmingham in Zusammenarbeit mit NOTAM (Norwegen)
UA 1. 10. 2011 / The Royal Danish Academy of Musikc, Studio Hall, KopenhagenAnna Clementi /BIT 20/Baldur Brönnigmann
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Le chien andalou music (2009) for the same-named film of Louis Bunuel und Salvatore Dali (1929)
for piccolo trumpet b flat, trombone, cello, e-guitar, piano, 2 percussions
(FP: 8. 01. 2010 Konzerthaus Berlin, Werner-Otto Saal
ensemble ascolta, Titus Engel)
duration: 15 min.

Zerstören (2005/2006)
for 17 instruments, sampler and tape
(FP: Witten, 2006) duration: 10’
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A Little Madness in the spring (2005/2006) fĂĽr 18 instruments,
and 3 videos
(FP: Porto 2006) duration: 23’
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Aus Kindertagen: verloren (2004/2005)
for 8 instruments and tapes
(FP: Köln, 2005) duration: 22’
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La Coquille et le Clergyman (2004)
(Musik zum gleichnamigen Film von Germaine Dulac, 1928) for 12 instruments and tapes
(FP: Amsterdam, 2005) duration: 40’
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REQUIEM (1998) (with Helmut Oehring)
for 3 countertenors, 12 instruments and tapes,
(FP: Paris/Donaueschingen/Brüssel 1998) duration: 55’
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A.N.(evita-che guevara-madonna)(1998) (with Helmut Oehring)
for 2 Stimmen, 8 instruments and tapes
(FP: Liège/Brüssel) duration: 15’
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im VORMONAT (1998) (with Helmut Oehring)
for 8 instruments
(FP: 1998, Saarbrücken) duration: 17’
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Polaroids Melodram (1996) (with Helmut Oehring)
for 1 deaf performer (female), 1 sopran (male), 12 instruments and tapes,
(FP: Donaueschingen, 1996) duration: 22’
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