works
List of works chronological
Aus Liebe II - Version for chamber orchestra (2025) – 12'
Version for chamber orchestra (6,5,4,4,2)
WP: 29. 06.2025, Schwere Reiter Munich, aDeavantgarde Festival
Hilfe! Der Homolu kommt! (Help! The Homolu is coming!) (2024/2025) – 45'
for speaker, children's and youth choirs + instrumental ensemble
Text: Helga Utz
WP: 18.10.2025, Heilbronn, Kilianskirche
Fünf Miniaturen plus Coda (2024/2025) – 12'
for clarinet solo
WP: 04.09.2025, International ARD Music Competition, Munich University of Music and Theatre, Large Concert Hall
Transformationen IV (2024) – ca 10'
Version for amplified violin and playback (4 channel)
freely adapted from the poem 'Diepe tijd' ('Deep Time') by Dominique de Groen
for Emmanuelle Bernard
WP: 08.12.2024, Dock 11, Berlin
“… und weiße Lakritze aus Lammfell” - Ein Musiktheater über Kindheit ("... and white liquorice made from lambskin" - A musical theatre about childhood) (2022/2023) – 50'
for a staged girls' choir, clarinet, keyboard, additional music and video projections
WP: 08.07.2023, Berlin, St. Elisabeth Church
Fragmente für 2 Holzbläser (Fragments for 2 woodwinds) (2022/2023) – 11'
for bass oboe and bass clarinet
WP: 12.02.2023, Kulturkirche St. Stephanie, Bremen
WAS WIRD HIER EIGENTLICH GESPIELT?!?! (What is actually being played here?!?!) (2022/2023) – 45'
Double biography of the 21st century
for singer-performer, voice, ensemble (all amplified), 2 thunderbolts/electronics and samples
Text: Felicitas Hoppe
WP: 21.10.2023, Donaueschinger Musiktage, Donauhallen, Mozart-Saal; Motto: Cooperation
Transformationen III (2022/2023) – 9'
for amplified viola and violoncello
freely adapted from the poem 'Diepe tijd' ('Deep Time') by Dominique de Groen
WP: 26/05/2023, Oldenburg
Ordnung und Struktur (Order and structure) (2022) – 11'
Miniatures for male voice (bass), bass clarinet and additional parts
after texts by May Kooreman (text composition: Iris ter Schiphorst)
WP: 14.10.2022, Donaueschingen, Donaueschingen Music Days, Topic: Parkinson's disease
Transformationen II (2022) – 9'
for 2 amplified high voices and fixed media
freely adapted from the poem 'Diepe tijd' ('Deep Time') by Dominique de Groen
WP: 12.11.2022, Düsseldorf, Neanderkirche
Transformationen (2021/2022) – 9'
for amplified string trio and fixed media
freely adapted from the poem 'Diepe tijd' ('Deep Time') by Dominique de Groen
WP: 03.04.2022, Augsburg
Sei gutes Muts (Be of good cheer) (2021) – 12'
for recorder and string quartet (all amplified)
WP: 02.08.2021, Summer Music Days Hitzacker
Undine geht! (Undine leaves!) (2020/2021) – 35'
A kind of monodrama based on Ingeborg Bachmann
for an actress, a singing cellist, a singer, mixed ensemble and additional parts
WP: 28/09/2021 SZENE Salzburg, Salzburg
Whistle-Blower (2020/2021) – 15'
for amplified solo recorder, sampler and string orchestra
WP: 02.06.2021, Elbphilharmonie, Hamburg
Whistle-Blower (Corona-Fassung) (Whistle-Blower (Corona version)) (2020/2021) – 12'
for amplified solo recorder, sampler and string orchestra
WP: 05.02.2021, Theatre House Stuttgart
Le tremblement persistant du moi-fantôme... (2020) – 6'
pour Adrian Piper
for 6 female voices a capella
Libretto: Iris ter Schiphorst
WP: 21. 11. 2020, Philharmonie Paris, Le Studio
HYPER-DUB (2019/2022) – 11'
for voice, ensemble and sampler (all amplified)
Text: Dirk von Lowtzow
WP: 15.10.2022, Donaueschingen Music Days, Barsporthalle
Assange - Fragmente einer Unzeit (Assange - Fragments of an untimely time) (2019) – 20'
for female voice, large ensemble and sampler (amplified)
WP: 07.11.2019, Muziekgebouw aan't IJ, Amsterdam
Pictured Within: Birthday Variations for M.C.B. Variation V (2019) – 2'
for orchestra
WP: 13 August 2019, Royal Albert Hall, London
Und doch.... (And yet...) (2018/2019) – 10'
for string quartet
WP: 12.03.2019, Hannover, Kleiner Sendesaal des NDR
No Sir, we will not… (für Greta Thunberg) (2018/19) – 7'
for girls' choir
Text collage Iris ter Schiphorst
WP: UA: 19.5. 2019 Hannover, Hochschule, Festival ‚Unter dem Radar’
Prae-senz II (2018) – 45'
Version for narrator and amplified piano trio with sampler
Text: Felicitas Hoppe
WP: 04.06.2018, 9. Literaturfestival Frankfurt a. M.
Suggestion of least resistance (2018) – 6'
Music for the animated film by Michelle & Uri Kranot
for large ensemble (amplified), sampler and video
WP: 08.02.2019, Stuttgart, Theaterhaus/T1 Eclat Festival, as part of the 'Happiness Machine' programme
BLECHE (Sheet metals) (2016/2018) – 10-20'
a kind of concert installation for a microphonic percussionist, 2 sound directors, timpani,
6 resonating thunder sheets distributed in the room and 4 resonating tin buckets distributed in the room
WP: 21.09.2018, Bremen Gleishalle, Festival PGNM
VOLK UNTER VERDACHT (PEOPLE UNDER SUSPICION) (2016/2017) – 90'
Documentary music theatre for a staged choir, interludes and video projections
WP: 14.12.2017, Berlin, Radialsystem
DAS IMAGINÄRE NACH LACAN (THE IMAGINARY ACCORDING TO LACAN) (2016/2017) – 25'
for singer/performer, large orchestra, additional parts and live electronics
Text: Helga Utz (based on poems from the Arab world, primarily from the pre-Islamic and early Islamic period)
Composition, samples + live electronics: Iris ter Schiphorst
Programming and sound direction: Wolfgang Musil
WP: 04.11. 2017, Konzerthaus, Great Hall, Vienna
IN DEINER HAND? - eine Konzert Installation zu Luther (IN YOUR HAND? - A concert installation on Luther) (2016/2017) – ca. 10'
for a timpani player, 6 resonating thunderbolts distributed around the room, 4 resonating tin buckets, a "source timpani"
in another location, as well as feeds and sound direction.
WP: 29 May 2017, Ljubljana Castle, Slovenia (within the Luther-Trugar project)
MAKE HIM TALK (2016/2017) – 3,5'
to 'après "l'artisanat furieux"' (from 'Le marteau sans maître', VII) by Pierre Boulez
for flute, vibraphone, guitar and sampler, hammer, thunderbolt (all amplified) - miniature as a birthday greeting for Pierre Boulez
WP: 13.06.2017, Konzerthaus Vienna
KONZEPTE zu FLÄCHE(N), z. B. "Sinnflächen verschenken" (CONCEPTS on SPACE(S), e.g. "Gifting spaces of significance") (2016/2017) – ad libitum'
for (amateur) choir, (amateur) ensemble and other artists
(from the series 'JEDER/dialogic composing')
WP: 25 March 2017, Upgrade Stimme, Donauhalle 2, Donaueschingen
SOMETIMES II (2016/2017) – ca. 7'
for amplified ensemble, sampler, 2-4 thunderbolts with transducers + live electronics
for Ernst Surberg and Bettina Wackernagel
WP: 08.07.2017, Radialsystem-Berlin
JEDER (EVERYONE) (2016/2017) (with Uroš Rojko) – 24'
for amplified double bass clarinet solo, large orchestra, videos and samples
Concept, direction, composition: Iris ter Schiphorst & Uros Rojko
WP: 04.02.2018, Theatre House, T1, Stuttgart
DR. FAUSTUS LIGHTS THE LIGHTS (2016) – 70'
Music theatre after Gertrude Stein for 5 actors* making music and interludes
WP: 17.06.2016, ETA Hoffmann Theatre/City of Bamberg
Gravitational Waves (2016) (with Uros Rojko) – 9'
for large orchestra, masks and samples
WP: 04.08.2016, Snape Maltings Concert Hall, Aldeburgh
ZEICHENKASKADEN II (2015/2016) – 9'
Version for singer (bass) with drum and 2 double bass clarinets
WP: 16.01.2016, Stuttgart, Theatre House, P1
An die Strände der Ruhe - wo die Sonne untergeht T (o the beaches of tranquillity - where the sun goes down) (2015) – 16'
for orchestra with masks, sampler + female voice,
based on the poem 'wie erklär ich' by Nora Gomringer, quotes from a speech by the mayor of Lampedusa from 2013, and a text fragment by Helga Utz
WP: 16 October 2015, Gewandhaus Leipzig
ZEICHENKASKADEN (2015) – ca. 7'
for singer (bass) with drum and 4 double bass clarinets
WP: 04.09.2015, FÜNF PLUS FÜNF FESTIVAL, St. Elisabeth Church, Berlin Mitte
polar-for Armin Köhler (2015) – 1 1/2'
in memoriam Armin Köhler
for bassoon, trombone, sampler, percussion (2), piano, double bass
WP: 15.05.2015, Upgrade-Festival, Donaueschingen
AUS LIEBE II (2015)
for string orchestra and solo violin
WP: 03.06.2016, State Theatre, Large House, Cottbus
STILLE WASSER - ein Stück Untergang (STILL WATERS- a piece of doom) (2015) – 55'
for narrator, singer, performers, brass ensemble and samples
Libretto: Helga Utz
WP: 29.08.2015, pool house roof at the cable factory Oswaldgasse 35A, A-1120 Vienna
Welcome to all the pleasures: TISA VISA WiTiO ZETA NAFTA TiTiAiPi (weiss ich doch nicht, was die Kunst kann…)! (Welcome to all the pleasures: TISA VISA WiTiO ZETA NAFTA TiTiAiPi (how can I kwow what art can do...)!) (2014–2015) – 9'
for ensemble, countertenor in motion, feed, ghetto cluster and masks
after Henry Purcell (1659-1695, Orpheus Britannicus, from "Welcome to all the pleisures: Here the deities approve...")
WP: 23.01.2015, Heilig-Kreuz-Kirche, Berlin-Kreuzberg (Festival Ultraschall)
ORPHEUS 2015/the role of music (2014/2015) – 10'
for double bass clarinet and samples
WP: 25.02.2015, Heidelberg City Hall
meine-keine-lieder/die Aufgabe von Musik (my-no-songs/the task, the giving up of music) (2014) – 17'
for Inge Müller
for amplified female voice/performance, bass clarinet and piano/sample keyboard (1 player)
WP: 14. 03. 2015, State University of Music and Performing Arts Stuttgart, Concert Hall
NOISE (2014) – ca 50'
NOISE – An attempt at an encounter between Mongolian and European musicians as a form of "alienation" – based on concepts by Iris ter Schiphorst and Uros Rojko
WP: 2014, Berlin, Radialsystem
"Aus Liebe..." ("out of love...") (2013/2014) – 17'
for string quartet
(freely adapted from Aria No. 49 from the St Matthew Passion by J. S. Bach)
WP: 01. 03. 2014 Rotterdam, Laurenz Church
The Fall of the House of Usher (2013/2014) – 13'
Music for the film of the same name by James Sibley Watson and Melville Webber from 1928
for solo trumpet and large ensemble
WP: 11.02.2014, Zurich, Museum of Design
Klang-Erzählungen (Sound narratives) (2013) – 13'
for ensemble (amplified) and sampler
WP: 14.09.2013 Brunswick, Residenzschloss, Red Hall
SOS - Odysseus (2012/2013) (with Uroš Rojko) – 50'
for orchestra, 2 actors and staged children's choirs
Libretto Helga Utz
WP: 8. 5. 2013, Philharmonie Köln
Vergiss Salome (Forget Salome) (2012) – 7 Min.'
for singer/performer, feeds and light,
Text: Karin Spielhofer based on an idea by Iris ter Schiphorst
WP: Dec. 2013, NDR Studio, Hamburg
Breaking (2012) – 15'
for amplified ensemble, sampler and live electronics
WP: 13.12.2012, Berghain/Berlin
Dead Wire. Psychotechnics of Keyboards/a dissociative fugue (2011) – 16'
for solo piano, sampler and live electronics
WP: February 2012, Theatre House Stuttgart, Festival éclat
AUNG (2010/2011) – 25'
for staged singer/performer, ensemble and live electronics
Text: Helga Utz
WP: 01.10.2011, The Royal Danish Academy of Music, Studio Hall, Kopenhagen
Der Grüffelo/Grüffelokind (The Gruffalo/Gruffelo child) (2010/2011) (with Stefan Lienenkämper) – 45'
based on the children's book of the same name by Julia Donaldson
for narrator and ensemble
WP: 19 June 2011, Philharmonie Berlin
Studien zu Figuren/Serie A (Studies on figures/series A) (2010/2011) – 23'
for 7 amplified voices and sampler
dedicated to the Neue Vocalsolisten Stuttgart
WP: 16.10.2011, Donaueschingen, Donaueschingen Music Days
Passion 13 – Melodram (Passion 13 - Melodrama) (2010) – 22'
for staged vocalist, orchestra and interludes
WP: 04.09.2010 Gewandhaus, Mendelssohn Hall, Leipzig
Miniatures for clarinet and string quartet (2010) – 16'
for clarinet and string quartet
WP: 19.09.2011, Susaa Festival Denmark
Dislokationen II (Dislocations II) (2010) – 25'
for violin, viola, violoncello, piano/sampler
WP: Nov. 2010, Munich, HörBlicke 21
KLANGRÄTSEL (SOUND PUZZLE) (2010) – 4'
for youth or amateur string orchestra
Die Gänsemagd (The Goose Girl) (2009) – 60'
Children's opera based on the Brothers Grimm (Libretto: Helga Utz)
for 1 soprano, 2 mezzo-sopranos, 1 bass, 1 actor, Bb clarinet (also double bass clar.), violoncello, accordion, sample keybaord
WP: 18. 02. 2010, Dschungel Vienna, Museumsquartier
Un chien andalou Musik (2009) – 15'
Music for the film 'Le chien andalou' by Louis Bunuel and Salvatore Dali (1929)
for ensemble
dedicated to the Ensemble Ascolta
WP: 08.01.2010, Konzerthaus Berlin, Werner-Otto Saal
Aria für Solo-Sopran 2015 (Aria for solo soprano 2015) (2009) – 3'
from the music theatre 'AUNG' (2009), text: Helga Utz
DISLOKATIONEN (DISLOCATIONS) (2008-2009) – 22'
for orchestra, solo piano and sampler
WP: 03 July 2009, Herkulessaal, Munich
Miniaturen für Klarinette und Akkordeon (Miniatures for clarinet and accordion) (2008) – 16'
WP: 08.11.2008, Berlin, Saalbau Neuköln, Klangwerkstatt
Miniatures for cello and accordion (2008) – 25'
for violoncello + accordion
honoured with the special prize of the jury at the International Women Composers Competition 2008
Vergeben/Bruchstücke zu Edgar Varèse (Forgiven/Fragments on Edgar Varèse) (2007) – 15'
for wind orchestra, percussion and piano
WP: 02.11.2007 Cologne, Festival 'Musik der Zeit'
Zerstören II (To Destroy II) (2006) – 25'
for amplified orchestra and sampler
WP: 23 February 2007 Leonhard-Gläser-Saal, Siegen
Zerstören (To Destroy) (2005/2006) – 10'
for 17 instruments, sampler and CD-accompaniments
WP: 05.05.2006 Theatersaal, Witten at the Wittener Tage für Neue Musik
Vielleicht gestern… (Maybe yesterday...) (2005) – 2'
for bass-clarinet solo
WP: 2006, Dresden-Hellerau
A Little Madness in the spring (2004/2006) – 23'
for 18 instruments, electronics and video installation
based on a libretto by Paulo Tunhas
Composition of the visual part: Daniel Kötter
WP: 16. 09. 2006, Porto, Casa da musica
Aus Kindertagen: verloren (From childhood: lost) (2004/2005) – 22'
for 8 instruments and Cd-accompaniment
Text: I. ter Schiphorst, as well as quotations from the novel "Emilia gets into the turmoil of war or O the new day" by Karin Spielhofer
WP: 05.03.2005, Deutschlandfunk broadcasting hall, Cologne
Erlaube, Fremdling, dass ich dich berühre II (Allow me, stranger, to touch you II) (2004) – 55'
Music-theatrical suite for 2 instrumental ensembles, 1 actress, 1 singing performance artist, Cd-scores, live-electronics
for Franco Evangelisti
WP: 2005, Berlin, Kesselhaus der Kulturbrauerei
La Coquille et le Clergyman (2004) – 40'
Music to the film of the same name by Germaine Dulac, 1928
for 12 instruments and Cd accompaniment
WP: 06.04.2005 Stadsschouwburg/Amsterdam as part of the Filmbiënnale of the Filmmuseum
Erlaube, Fremdling, dass ich dich berühre (Allow me, stranger, to touch you) (2003) – 55'
A musical-theatrical ACTION in 4 parts by Iris ter Schiphorst
for 1 mime, 2 instrumental ensembles, video projections and Cd-playback
(freely adapted from the anagram of the same name by Unica Zürn from 1963)
WP: October 2004, Dresden, Festspielhaus Hellerau
Und Pommernland ist abgebrannt/deutsches Schreiben (And Pomerania is burnt down/German writing) (2003) – 12'
for English horn, bass flute, bass clarinet CD-accompaniment and live electronics
WP: 09.11.2003, Berlin-Ballhaus Naunynstraße, Klangwerkstatt
Wie einen Wasserfisch (Like a water fish) (2003) – 14'
based on an old German ballad
for voice and ensemble
WP: 08 November 2003, Forbach (France)
Und Pommernland ist abgebrannt/deutsches Schreiben (Version with flugelhorn) (2003) – 12'
for English horn, bass flute, bass clarinet, CD-accompaniment and live electronics
WP: August 2013, Park Music-New Horizons
My Sweet Latin Lover II (2002) – 9'
for amplified flute, electric guitar and live electronics, text: Iris ter Schiphorst, Thomas Moore ("To...") and William Blake ("The sick rose")
WP: 13.11.2002, Concert of the Forum Zeitgenössische Musik Leipzig and the MDR
My Sweet Latin Lover (2002) – 14'
for amplified flute, keyboard, 4 percussion instruments, 5 electric guitars (amplified)
Text by Iris ter Schiphorst, Thomas Moore ("To...") and William Blake ("The sick rose")
WP: 07.06.2002, München, Musica viva
Euridice – Szenen aus der Unterwelt (2001/2002) – 55'
for 1 dancing vocalist, 3 singers/narrators, dancers, bass flute, double bass clarinet, violin, violoncello, double bass, piano/keyboard, percussion and electronics
Text: Karin Spielhofer
WP: 20.09.2002, Theatre Bielefeld
Berlin: Symphonie einer Großstadt (Berlin: Symphony of a big city) (2001/2002) (with Helmut Oehring) – 70'
for large orchestra and film
WP: 10.04.2002, Berlin, Staatsoper Unter den Linden
BROKEN or "Why don't you say a word..." (2001/2002) – 9'
a kind of 'orchestral love song' for orchestra and sample keyboard
WP: May 2002, Potsdam
rumgammeln+warten (bumming around+waiting) (2001) (with Helmut Oehring) – 23'
for one voice, one deaf soloist and ensemble
Text: ter Schiphorst/Oehring
WP: 07.11. 2001, Paul Sache Halle, Basel (European Cultural Month)
Gestures (2001) – 11'
for 5 male voices, prep. piano/keyboard and additional band
Text: Karin Spielhofer and Christine Daum
WP: 24 October 2001, Düsseldorf, Rheinische Kliniken Düsseldorf
Solo from 'rumgammeln und warten' (bumming around and waiting) (2001) (with Helmut Oehring) – 3'
Extraction of the solo for voice only
WP: 2015, Nuremberg portrait concert
Effi Briest (2000) (with Helmut Oehring) – 90'
Music theatre psychogram in 4 acts
for 2 voices, 1 male soprano, 1 deaf performer, 18 instruments, live electronics
Libretto: Iris ter Schiphorst + Helmut Oehring
WP: 2001, Bonn
Als ob: SUITE (As if: SUITE) (2000) (with Helmut Oehring) – 60'
Music and dance project for sub-bass flute, bass clarinet, accordion, sample keyboard/piano,
2 drums, electric guitar, playback CD, 7 dancers, video projection and live electronics
WP: 01.10.2000, Dresden, Schauspielhaus, Dresdner Tage für zeitgenössische Musik
Der Ort ist nicht der Ort (The place is not the place) (2000) (with Helmut Oehring) – 70'
for instrumental ensemble, 1 deaf performer, 1 soprano, 1 soprano and live electronics
WP: 26 October 2000, EXPO Hanover 2000
Bernada Albas Haus (1999) (with Helmut Oehring) – 90'
for 7 dancers, 1 deaf performer, 1 soprano, prep. piano/sample keyboard, 1 electric guitar, 1 double bass and live electronics
Music for dance theatre after F. Garcia Lorca
WP: 11.11.1999, Theater Basel
Ballade für Orchester: HUNDERT KOMMA NULL (1999) – 17'
for orchestra and sample keyboard
freely adapted from an annagram by Unica Zürn
WP: 11 February 2000, Herkulessaal, Munich
Mischwesen – la tristesse durera (Composite beings - la tristesse durera) (1998) (with Helmut Oehring) – 20'
for a deaf performer, three trumpets and keyboard
based on the poem "Silence" by Anne Sexton and texts by Iris ter Schiphorst and Helmut Oehring
WP: 21.11.1998, Kunstencentrum, Gent Festival November Music, Belgium/Netherlands
REQUIEM (1998) (with Helmut Oehring) – 55'
for 3 countertenors, 12 instruments and live electronics
freely based on the 9 psalms 'O Ye Tongues' from the 'Death Note Books' by Anne Sexton
WP: Opera National, Paris, Festival d'Automne
A. N. (evita-che guevara-madonna) (1998) (with Helmut Oehring) – 15'
for 2 voices, 8 instruments and live electronics
WP: 30 March 1998, Liège (Liège)
im VORMONAT (1998) (with Helmut Oehring) – 17'
for oboe, bass clarinet, bassoon, percussion, piano, violin, violoncello and double bass
WP: 21 May 1998, Large Broadcasting Hall, Saarbrücken
Silence moves (1997) (with Helmut Oehring) – 60'
a kind of chamber opera for voice, violin, cello, electric bass, prep. piano/sampler, tapes, video installation and live electronics
WP: 12 October 1997 Dresden, small theatre
Silence moves II (1997) (with Helmut Oehring) – 35'
for voice, violin, cello, prep. piano/sample keyboard, electric guitar, electric bass, tapes and live electronics
WP: 1997, Rom
PRAE-SENZ (Ballet blanc II) (1997) (with Helmut Oehring) – 35'
for violin, cello, prep. piano/sample keyboard
WP: 17.09.1997, Berlin Festival Weeks
Live (from Androgyn) (1997) (with Helmut Oehring) – 25'
18 songs after the poem 'Live' by Anne Sexton
for voice, violin, cello, prep. piano/ sample keyboard and live electronics
WP: 26.04.1997 Witten/Days for New Chamber Music
Live (from Androgyn) (1997) (with Helmut Oehring) – 25'
18 songs after the poem 'Live' by Anne Sexton
for voice, violin, cello, prep. piano/ sample keyboard and live electronics
WP: 26.04.1997 Witten/Days for New Chamber Music
Polaroid's melodrama (1996) (with Helmut Oehring) – 22'
for 1 deaf-mute, 1 soprano, 12 instruments and live electronics
Text: ter Schiphorst/Oehring
WP: 20.10.1996, Donaueschingen/Musiktage
Anna's Song (1993) – 4'
from the opera 'ANNA's WAKE' (1992) - arrangement for 2 female voices, violin, viola+violoncello
Text: Christine Daum
Anna’s Wake (1992) – 55'
3-D opera for tape, live singer and 16mm film
Text, idea, direction: Iris ter Schiphorst and Christine Daum
WP: 29.01.1993, Berlin, Ballhaus Naunynstraße
Liebesgeschwüre (Vows of love) (1991) – 10'
for voice, flute, 2 violins, synth/sampler
WP: 1991, Berlin SO-36
Ballade für einen Bulldozer (Ballad for a bulldozer) (1990) – 9'
for violin (amplified) and synthesiser/sampler
in memoriam Robert von Lieben (1878-1913), the inventor of electron and amplifier tubes
WP: 1990, Berlin
Und was, wenn die Schlange ein Schwein gewesen wäre? (And what if the snake had been a pig?) (1990) – 45'
a radio play
Text: Karin Spielhofer, Composition, Music+Sounds: Iris ter Schiphorst
WP: 13.09.1990 First broadcast ORF - Kunstradio